Mase Net Worth: His net worth is $8 million. Mase is an American rapper, musician, television personality, inspirational speaker, and clergyman. Sean “Puff Daddy” Combs and his record label, Bad Boy Records, helped propel Mase to rap superstardom in the late 1990s. His album “Harlem World” has been nominated for a Grammy Award and has had many Billboard Hot 100 Top 10 singles (1997).
Mase Net worth
|Net Worth:||$8 Million|
|Date of Birth:||Aug 27, 1975 (46 years old)|
|Height:||5 ft 9 in (1.765 m)|
|Profession:||Musician, Rapper, Songwriter, Actor, Pastor|
|Nationality:||United States of America|
Mase Early Life
His stage name is Mase and he was born on August 27th, 1975 in Jacksonville, Florida as Mason Durell Betha. P.K. Betha and Mason Betha are his parents. Besides his fraternal twin sister, Stason Betha, Mase is the father of four more children. Harlem, New York, was where he grew up and spent much of his youth after his father left the family when he was just three years old. His mother sent him back to Jacksonville when he was just thirteen because he had started behaving up and getting in trouble.
It’s easy to be bad… To be good takes a lot more #sacrifice pic.twitter.com/4aOdRzME6W
— MA$E (@rsvpmase) September 17, 2020
Before returning to Harlem at the age of fifteen, he stayed with relatives in Florida. He played basketball in high school and had aspirations of playing in the National Basketball Association one day. A few years later, he transferred to the State University of New York at Purchase, where he put his musical talents before his basketball aspirations. Mase eventually dropped out of college to focus solely on music after he began making his own demo recordings and performing regularly at local bars.
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Mase Career as a Musician
During high school, Mase was a member of the rap trio Children of the Corn, which included other Harlem rappers Big L, Herb McGruff, Bloodshed, and his boyhood friend Cameron. His music career began there. At the time, he went by the stage name “Murda Mase.” Stason introduced him to Cudda Love in 1996, when he was twenty years old. Notorious B.I.G.’s road manager Love took Mase to Atlanta, Georgia, to meet and perform for Sean “Puff Daddy” Combs.
Combs was delighted by Mase’s abilities and offered him a $250,000 recording contract with his Bad Boy Records label. Murda Mase’s name was abbreviated by Combs to “Mase.” The Notorious B.I.G. and 112’s “Only You” video, Puff Daddy’s “Can’t Nobody Hold Me Down” and “Been Around the World,” and The Notorious B.I.G.’s “Mo’ Money, Mo Problems” all saw Mase appear in the video. “Harlem World” was Mase’s first studio album released in October 1997.
More than 270,000 copies of the album were sold during its first week on the U.S. Billboard Pop and R&B LP charts, respectively. It also received a Grammy nomination. Since then, the RIAA has awarded the album four Platinum certifications. In addition, “Harlem World” produced a number of chart-topping singles, including “Feel So Good” and “Lookin’ at Me,” both of which peaked at the top of the Billboard Rap charts. Other songs he appeared on in 1997 include Mariah Carey’s Honey, Brian McKnight’s “You Should Be Mine (Don’t Waste Your Time),” and Brandy’s “Top of the World” as a featured guest artist.
This rap group changed my life #MASE #WuTang
What rap duo or group did that for you? pic.twitter.com/48zkVkDXFJ
— MA$E (@rsvpmase) December 16, 2020
Mase established his own record label, All Out Records, in 1998. Harlem World, a group his twin sister Stason was a member of, was one of the first performers signed to the company. In 1999, he returned to Bad Boy Records with “Double Up,” his follow-up album. More harsh lyrics were used on the album, which went on to sell 107,000 copies in the first week.
Beginning in April 1999, Mase took a five-year hiatus from the music industry. He announced his retirement from music on April 20 in a radio appearance, saying he was following a “called from God.” During his time away, he attended Clark Atlanta University, a historically black college, and was ordained as a preacher. In 2004, he made a comeback with the release of his third studio album, “Welcome Back.” “Welcome Back” was released by Bad Boy Records and distributed by Universal Music Group, just like his first two albums.
In contrast to his prior work, the album’s content reflected his new Christian lifestyle and a more polished appearance. G-Unit, a New York hip-hop group that included 50 Cent, Tony Yayo, and Lloyd Banks, was a group that Mase really performed and recorded within the mid-2000s. Many magazine covers, music videos, and appearances on stage with 50 Cent were also part of his extensive career. Because of G-hardcore Unit’s reputation, Mase had decided to team up with them so he could reach out to a new audience and show them that they could alter their life, too, just like he had.
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In 2007, Mase took a break from music again but returned in 2009, apparently motivated by Michael Jackson’s death. Numerous remixes of Drake’s “Best I Ever Had” featured him, as did “Get It” by Big Ran and Teairra Mari and Kanye West’s “Diamonds” street remix, as well as many others. In December 2012, he announced his resignation from Bad Boy Records.
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Mase Various Interests
Mase’s book “Revelations: There’s a Light After the Lime” was released in 2010. The S.A.N.E. (Saving a Nation Endangered) Church, which he created when he was in Atlanta in 2000, is named after him. El Elyon International Church has subsequently been renamed and he continues as pastor.
Mase Rich Fish Record
RichFish Records, an imprint of Columbia Records, is the label that Mase represents in the United States. He signed Fivio Foreign to RichFish in 2019 for a $1 million contract, according to reports.
Mase Personal Life
Mase and Twyla G Styles have been married since 2001. They are parents of the same child.
Feud With Diddy
During the first week of January 2020, Mase issued a scathing message on Instagram about his ex-mentor, Diddy. On the heels of a speech Diddy gave at a Grammy pre-party in which he called out the music industry for its history of exploiting young musicians of color and general lack of diversity, the vital message was delivered.
It was Mase who took issue with Diddy’s statement, stating that Diddy took advantage of him in the 1990s. Despite the fact that publishing rights are a highly profitable source of money for artists, Mase said that Diddy only paid him $20,000 for them. Furthermore, Mase stated that he just offered Diddy $2 million to buy back his publishing, but was told that he had to compete with another offer.